There’s 50 megapixels on the Canon 5Ds cameras.
You know what that means? Yes, you get a crazy amount of details, but it also means any mistake or lens flaw is easier to spot.
This is why you need to be using the best lenses in order to get the most out of these two megapixel monsters.
Best doesn’t always equal super expensive, and we wrote this article to show you our favorite picks that will shine on a camera like the 5Ds R. While it’s usually true that the more you spent for the camera, the more you should spend on lenses, we still have plenty of wallet-friendly high quality choices not only from Canon, but also from Sigma and Tamron.
We cover 4 different types of lenses:
- Wideangle – Useful for capturing a lot in your scene (usually from 8 to 35mm)
- Standard – Where most photography happens (from 35 to 85mm)
- Telephoto – For subjects far away (85 to 600mm, only a few lenses that go higher)
- Macro – 1:1 ratio that magnifies your subject to real life size (usually from 60 to 180mm)
Maybe you’re focused on only one specific type of photography, or maybe you like shooting it all. In both cases this guide is for you.
We’re also going to assume you either own the 5Ds R body only, or with the 24-70mm lens. If you already own some of the lenses we talk about just try to pretend like they’re not here.
List of the lenses we recommend for the Canon EOS 5Ds R:
We cover these lenses in depth below, but in case you’re looking for full specifications and reviews, here’s an organized list. Prime and zoom lenses, from widest to longest.
If you decide to buy anything through our Amazon links, you automatically support our work as we receive a small commission and it’s what allows us to write these guides.
Best Telephoto Prime Lenses:
Canon EF 85mm f/1.8 USM
Canon EF 100mm f/2.8L IS USM Macro
Canon EF 135mm f/2L USM
Canon EF 300mm f/2.8L IS II USM
Canon EF 400mm f/2.8L IS USM II
Canon EF 500mm f/4L IS II USM
Canon EF 800mm f/5.6L IS USM
Best Zoom Lenses:
Canon EF 11-24mm f/4L USM
Canon EF 16-35mm f/4L IS USM
Canon EF 24-70mm f/2.8L II USM
Canon EF 70-200m f/2.8L IS II USM
Canon EF 70-300mm f/4-5.6L IS USM UD
Canon EF 100-400mm f/4.5-5.6L IS II USM
Canon EF 200-400mm f/4L IS USM Extender 1.4x
Sigma 150-600mm f/5-6.3 DG OS HSM
Best Wideangle Prime Lenses for Canon 5Ds & 5Ds R
– For Landscape, Wideangle, Architecture and Indoor Photography –
As we mentioned above, any flaw of a lens will be much more visible on a full frame, high megapixel DSLR. This is why you need to buy lenses that are optically superb and designed to work with cameras in this age.
The primes below are our favorite picks for all sorts of wideangle photography. For their relatively low price, the vignetting, chromatic aberration and flare are excellently controlled and pretty low.
1. Canon TS-E 17mm f/4L UD
Ask yourself; do you need straight lines in your photography? Whether it’s indoor, architecture, landscape or product photography, if you want to have control over the perspective, the Canon TS-E 17mm f/4L UD is a perfect lens for that.
Tilt and shift lenses are also great for combining images so you can have everything in focus. Alternatively, you can also select a specific part of the shot and have everything else blurred (you can see a video example here along with common uses for these lenses).
The 17mm has one UD and one aspherical element for better quality and less chromatic aberration. In terms of quality and sharpness, it’s up there with the rest of L lenses and is worth every dollar. It’s also the widest tilt-shift available, which makes it the best candidate for interior photography. You can also check out the TS-E 24mm f/3.5, released in the same year.
2. Canon EF 24mm f/1.4L II USM
If you know you need f/1.4 and this exact wide angle, check out the Canon EF 24mm f/1.4L II USM.
It’s not the cheapest 24mm but it’s the best you can get so make sure your work will look good with a 24mm lens. For example, you may have taken a couple of portraits at 24mm with a zoom you have right now, but it’s rarely good to use the 24mm just for people. This is more of a landscape, indoor, group lens, something you can also use in tighter spaces thanks to the 0.8 feet closest focusing distance. It’s also a good choice to use as an all-around wide prime if you like that style.
Focusing is quick and quality is absolutely amazing, even at f/1.4 but gets tremendously better at f/2.
3. Sigma 35mm f/1.4 Art DG HSM
The sharpest lens on our list is the Sigma 35mm f/1.4 DG HSM. It’s a perfect match for the 5Ds R’s sensor.
You won’t find anything better even at a higher price, and that includes Canon’s more expensive 35mm. Unfortunately the Sigma is nowhere near being super affordable as well, but it’s still at a price where if you’re serious about street, portrait, wedding photography or anything in the wide/standard focal length range, you’ll want it sooner or later.
Best Standard Prime Lenses for Canon 5Ds & 5Ds R
– For Portraits, Weddings, Low Light and General Photography –
These lenses are good for almost all types of photography, but this is where they excel at. Their high quality, large aperture that lets in a ton of light, the ability to blur the background and a focal length that nicely compresses your subject’s face is why we put them on this list.
1. Canon EF 40mm f/2.8 STM
You’re probably thinking we’re crazy to include a $150 lens as a best choice for the 5Ds R, but the Canon EF 40mm f/2.8 STM has the quality of zooms that cost around $1,500. We’d be crazy not to include it!
What also makes it special is the compact, lightweight design. Sometimes you just want to go out and shoot without carrying big, heavy gear. The 40mm is the only ‘pancake’ EF choice.
It’s sharp, has great colors and can be used in low light thanks to f/2.8. It may look funny on a big DSLR body, but the performance is nowhere near funny, that’s for sure. Dpreview gave the 40mm a 84% score and also recommends it to those looking for a compact lens.
2. Sigma 50mm f/1.4 Art DG HSM
You’ve probably seen the Sigma 50mm f/1.4 Art DG HSM many times if you often check out the latest and greatest gear. It beats every Canon 50mm in terms of quality, but it’s obviously more expensive than the f/1.8 and f/1.4 versions.
It’s also built way better and has a more accurate, faster focusing system thanks to the HSM. Sigma’s new Art series has a lot of exciting, optically superb lenses and we’re excited to see what else they release.
Simply put, if you want an affordable, razor sharp 50mm, you’ll love it.
3. Canon EF 50mm f/1.2L USM
If the term bokeh excites you and a big part of your photography is having a blurry, out of focus background, check out the Canon EF 50mm f/1.2L USM.
It’s not the cheapest, and at f/1.2 it’s also not the sharpest (shows some chromatic aberration), but you buy this lens because you know you want beautiful bokeh with background blur that’s more amazing than your main subject (exaggerating, but you get the point).
Thanks to f/1.2 you can also capture shots in extreme low light with acceptable shutter speeds, but we really don’t recommend you to get it if you’ve never shot with a 50mm lens before. There’s no point in buying it and then stopping down to f/4, you’ve got hundreds of other choices for that.
Best Telephoto Prime Lenses for Canon 5Ds & 5Ds R
– For Portrait, Wildlife, Sports, Wedding and Concert Photography –
Wildlife and sports may not be the first subject you think of when seeing ’50 megapixels’, but the 5Ds R is perfectly capable of photographing action as well.
With 5fps and a 61-point AF system, you can count on getting accurate and fast focusing. The resolution is actually a big plus because if you’re not close to your subject you can just crop.
1. Canon EF 85mm f/1.8 USM
The Canon EF 85mm f/1.8 USM is our wedding, concert and portrait photography winner. The longer focal results in you not having to be so close to your subject so you can be silent (big plus for weddings and concerts). Longer lenses have always been recommended for capturing people because they don’t distort the faces; they give you nice, flat results.
Why not the f/1.2 version? It focuses slower, is bigger and heavier, and costs 3x more. It’s a great lens, but gives you less value for the money compared to this 85mm.
The USM focusing motor makes auto focusing super quick and silent, bokeh looks absolutely amazing (8 diaphragm blades) and its closest focusing distance is 2.8 feet. Images will look sharp, that’s no doubt, and you might even have to stop down the aperture a little bit to get more in focus. I’ve owned the 85mm f/1.8 for many years and can’t believe it’s still so cheap.
Look at any wedding/portrait photographer’s bag, you’ll most likely see the 85mm in there. It’s one of the older lenses in this guide but still tack sharp with the 5Ds R.
2. Canon EF 100mm f/2.8L IS USM Macro
If you need a stabilized macro lens, check out the Canon EF 100mm f/2.8L IS USM. It’s got a Hybrid IS system that helps up to 3 stops, making hand-held macro work easier.
Image quality wise, it’s more or less identical to the 100mm f/2.8 non-IS version, so if most of your work happens on a tripod you can get the same results. However, the L macro is weather sealed and is more appropriate for rain and other difficult situations.
They’re both equally as fast and accurate at focusing, but the L version has a much smoother focus ring. Can’t decide which one to get? If build quality and IS are extremely important to you, get the L version, especially if you plan on using the macro lens outdoors almost daily.
3. Canon EF 135mm f/2L USM
It would be a shame if we left out the legendary Canon EF 135mm f/2L USM.
Yes, it was released in 1996 but don’t think that because of that it’s not a good choice for a 50 megapixel DSLR. Images are sharp, the quality and background blur are amazing at 135mm, and it’s super fast at auto focusing.
You might miss having Image Stabilization, but the big f/2 aperture helps in most situations. For outdoor and studio use, whether it’s portraits, pets or sports, you will hardly find a better prime! It’s a good choice for not so tight indoor scenes (like sports) where f/2 helps tremendously with getting acceptable shutter speeds. Plus, if you will use it for indoor sports you won’t even miss IS as it only helps with static subjects.
- Canon EF 200mm f/2.8L II USM – Portraits, sports and animals. Like the 70-200mm f/2.8 but at 200mm, and cheaper.
- Canon EF 300mm f/2.8L IS USM II – Outdoor and indoor action lens, but you might have to crop for wildlife
- Canon EF 400mm f/2.8L IS USM II – Outdoor and indoor action lens
- Canon EF 500mm f/4L IS II USM – For wildlife and bird photography, or outdoor sports
- Canon EF 800mm f/5.6L IS USM – For photographing birds on the moon.
What makes the 5Ds R exciting for super telephoto work is the fact that you can still crop a lot if you want to get closer with little to no difference in quality.
Best Zoom Lenses for Canon 5Ds & 5Ds R
– For Traveling, All-Around, Indoor, Outdoor and Everything Above –
There’s a ton of amazing Canon EF zoom lenses to choose from.
Whether you’re looking for an all-around f/2.8 zoom, a monster telephoto or an extreme wideangle for indoor photography, you got it all.
Our favorite price/performance picks are the following; Canon EF 16-35mm f/4L IS USM as a wide and travel zoom, Canon EF 24-70mm f/2.8L II USM for portrait, wedding, travel and event photography and Sigma 150-600mm f/5-6.3 DG OS HSM for super telephoto. Yes, the Sigma is awesome on a 5Ds R.
The Canon EF 11-24mm f/4L IS USM is the widest Canon zoom that’s built like a tank and offers great image quality.
It’s quite expensive so unless you absolutely need the 11mm length and this type of build quality, you’ll be better off with the 16-35mm below. The 11-24mm is the closest Canon lens to Nikon’s 12-24mm and is ideal for ultra wide scenes (indoors, buildings, nature, landscapes, group shots etc.).
As expected from an L lens at this price, you get super fast and silent auto focusing (USM) as well as FTM, and SWC and ASC (coatings) that reduce the amount of ghosting and flare.
2. Canon EF 16-35mm f/4L IS USM
We think the Canon EF 16-35mm f/4L IS USM offers the most for the money compared to other Canon wide zoom lenses. It’s sharper than the f/2.8 and unless you mostly shoot indoors you won’t miss the extra stop of light. Plus, the ISO of the 5Ds R is almost similar to the Mark III (with twice as many pixels).
Unlike the f/2.8, it also features Image Stabilization but you’ll only find it useful at above ~25mm or when recording videos. The rule has always been to shoot with a shutter speed number equivalent to or faster than the focal length, which means you need to use 1/25 at 25mm and so on. In case you need the extra stop of light, take a look at the
Auto focus is also fast and accurate, there’s an FTM feature for fast manual focusing and the lens is light enough to use it for traveling. Definitely a winner from Canon!
3. Canon EF 24-70mm f/2.8L II USM
Simply put, the Canon EF 24-70mm f/2.8L II USM covers one of the most common working distances all of us use every day. It’s wide enough for traveling, landscape, but also long enough for weddings, portraits and many events. If you’re close to the field, it’s also a good choice for sports and indoor action.
Compared to the 24-70mm f/4L you do lose Image Stabilization and it doesn’t seem like Canon has any plans on ever releasing the 24-70mm f/2.8 with it. An extra aperture stop makes the background more blurry and gives you that good looking bokeh though.
If you can’t decide which one to go with, just ask yourself which is more important; f/2.8 for low light shots or lighter weight for traveling.
4. Canon EF 70-200mm f/2.8L IS II USM
The Canon EF 70-200m f/2.8L IS II USM is one of Canon’s finest lenses, and probably the best zoom there is. This is a lens you’ll never have to upgrade from.
It’s tack sharp and has great colors, not to mention it’s far more weather-proof than regular lenses. This is the same for 99% L lenses. As expected from paying so much for a lens you get USM and IS, both being extremely useful at telephoto ends. If you don’t need the IS and want something lighter, there’s a Canon EF 70-200mm f/2.8L USM that goes for ~$500 less.
It’s big and heavy, but it’s a telephoto f/2.8 zoom… Almost every wedding, news, sports, portrait and nature photographer owns one.
5. Canon EF 70-300mm f/4-5.6L IS USM UD
There’s a whole army of 70-300mm lenses, but we feel like the Canon EF 70-300mm f/4-5.6L IS USM takes the number one spot. There’s a cheaper non-L version but not as good, and is also getting replaced pretty soon so we’ll see how that goes.
The L version is built like a tank and feels extremely solid so if you want to be assured your photography gear is safe when traveling, you’ll love it. Auto focus is fast and USM makes it super silent and accurate as well, whereas IS helps you in low light or when you get tired and can’t shoot totally still anymore. The longer your focal length the more your shaking can be visible.
6. Canon EF 100-400mm f/4-5.6L IS II USM
With better design, Image Stabilization and optics than the previous version (1998), the new Canon EF 100-400mm f/4-5.6L IS II USM is a way better choice for wildlife and bird photography.
You can also use it for sports, airplanes and any other fast subject, as auto focus is fast and on point. Construction wise, it feels very solid and well made. You don’t have to worry about it even when shooting in tougher conditions (dust, rain, forests etc.).
It is somewhat okay for indoor telephoto work, but not without raising the ISO to at least 3,200 if you want faster shutter speeds. Outdoors, the lens is more or less perfect. You can also use an extender if you feel it’s too short.
7. Sigma 150-600mm f/5.6-6.3 DG OS HSM
Want to photograph wildlife, the moon or both at the same time? The Sigma 150-600mm DG OS HSM, released back in 2014, is your cheapest way of ever reaching 600mm with acceptable quality.
No bird is safe from you, and with HSM for focusing you can count on getting sharp results even when your subject is running. OS (Optical Stabilization) is a must, especially if you’re not using a monopod. You can always use the 5fps burst mode of the 5Ds R if you’re trying to maximize your chances of getting a sharp result though.
Anything bad? The f/6.3 makes it unusable for indoor sports, and it’s relatively heavy to carry around (68.1 oz/1930g). The downside of this downside is that it’s actually the lightest zoom that reaches 400mm. If you don’t have any trouble carrying around and love photographing in the nature, you’ll easily get over these negatives.
|Canon TS-E 17mm f/4L UD||Amazon||Full Frame + APS-C||2009|
|Canon EF 24mm f/1.4L II USM||Amazon||Full Frame + APS-C||2008|
|Sigma 35mm f/1.4 Art DG HSM||Amazon||Full Frame + APS-C||2012|
|Canon EF 40mm f/2.8 STM||Amazon||Full Frame + APS-C||2012|
|Sigma 50mm f/1.4 Art DG HSM||Amazon||Full Frame + APS-C||2014|
|Canon EF 50mm f/1.2L USM||Amazon||Full Frame + APS-C||2006|
|Canon EF 85mm f/1.8 USM||Amazon||Full Frame + APS-C||1992|
|Canon EF 100mm f/2.8L IS USM Macro||Amazon||Full Frame + APS-C||2009|
|Canon EF 135mm f/2L USM||Amazon||Full Frame + APS-C||1996|
|Canon EF 200mm f/2.8L II USM||Amazon||Full Frame + APS-C||1996|
|Canon EF 300mm f/2.8L IS II USM||Amazon||Full Frame + APS-C||2010|
|Canon EF 400mm f/2.8L IS II USM||Amazon||Full Frame + APS-C||2010|
|Canon EF 500mm f/4L IS II USM||Amazon||Full Frame + APS-C||2011|
|Canon EF 800mm f/5.6L IS USM||Amazon||Full Frame + APS-C||2008|
|Canon EF 11-24mm f/4L USM||Amazon||Full Frame + APS-C||2015|
|Canon EF 16-35mm f/4L IS USM||Amazon||Full Frame + APS-C||2014|
|Canon EF 24-70mm f/2.8L II USM||Amazon||Full Frame + APS-C||2012|
|Canon EF 70-200mm f/2.8L IS II USM||Amazon||Full Frame + APS-C||2010|
|Canon EF 70-300mm f/4-5.6L IS USM||Amazon||Full Frame + APS-C||2014|
|Canon EF 100-400mm f/4.5-5.6L IS II USM||Amazon||Full Frame + APS-C||2014|
|Canon EF 200-400mm f/4L IS USM||Amazon||Full Frame + APS-C||2013|
|Sigma 150-600mm f/5-6.3 DG OS HSM||Amazon||Full Frame + APS-C||2015|
Which Lens to Buy First?
Okay so let’s say you have found a couple of lenses in our guide that you would love to own, but can’t decide which ones to pick first.
While we could complicate this, it all comes down to whether your current gear allows you to photograph what you want.
Chances are you like different styles of photography and want to shoot pretty much everything that exists. If your budget allows you and you have at least a little bit of skills at DSLR photography then absolutely go for whatever you like on this list.
These 4 factors are what it boils down to before we all buy a new lens:
- Better quality
- Better low light performance
- Wider or longer focal length
For example, if you’ve been using the 24-105mm kit lens for a few months, you’re probably wanting both better quality and improved low light performance. Any prime lens we talk about is a good choice, go with a length that you feel you use most of the time.
You should get a lens when you want better performance at what you’re already shooting (sharpness, length, zoom, aperture etc.), or to start taking pictures that excite you but are hard to get with current equipment. Check out our lens table above and see what fits your budget and needs.
Here’s a useful link if you’re really interested in Canon lenses and technology behind them: